Pyrotechnics and pure self-expression at Burning Man
One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay.
This is the surreal and amazing site of Burning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: temporary community, spiritual adventure, performance stage, desert rave, social experiment. It’s also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself—a skeletal sculpture set ablaze at the event’s conclusion.
The photographer
NK Guy is a Canadian writer and photographer living in Britain. He is the author of The Lens: A Practical Guide for the Creative Photographer and The Photographer’s Dictionary. He documented the art of Burning Man annually between 1998 and 2014.
NK Guy.
Art of Burning Man
